Tag Archives: Nymphs of fashion

Goose Fair (2)

Goose Fair always brought with it a host of what could be called “camp followers” who, to be honest, would probably have made their way to pretty well every large fair in the country.

Wandering the streets, therefore, were a good number of distinctively dressed gypsy women, who sold “tickling sticks”, bags of confetti, balls on elastic, ropes of beads and “monkeys on sticks”. All vital commodities in Victorian England!

The gypsy women were extremely popular as fortune tellers, and were always recognisable as such because they traditionally carried a linnet in a cage at the end of a long, thin staff.

And in this photograph of a gipsy woman, notice the boy’s funky pillbox hat. Eagerly, he ia waiting for the birth of  Bob Dylan:

A linnet was chosen, incidentally, because:

“When finches come into our awareness, it is a sure sign of joy-filled, happy times ahead.”

I knew that.

Here are some “sundry sellers, who no doubt had access to their own private supplies of tickling sticks, bags of confetti, balls on elastic, ropes of beads and monkeys on sticks:

And at the other end of the spectrum, a little further away, on Upper Parliament Street, around the columns in front of the Theatre Royal, stood the “nymphs of fashion”.

Here are the columns of the Theatre Royal which is to the left of the now long demolished Empire Theatre :

The “nymphs of fashion” were what we would nowadays call prostitutes. They charged men for their sexual favours. Here’s one of the hottest, preparing to drive the young men wild, or perhaps straight to their doctor:

And here she is without her make-up. Surely, I’m not the only one who thinks that’s a man:

Setting aside for a moment the delights of these disease ridden lovelies, I investigated the attractions which appeared most frequently at Goose Fair around 1900. I discovered that, on Long Row, there was “Wadbrook’s Ghost Exhibition” with the celebrated “Pepper’s Illusion”. In front of the Exchange Building, Pat Collins had his roundabouts including his “Mountain Ponies”, his “Venetian Gala Gondolas” and his “Pneumatic Steam Bicycles”. There was “music produced by electricity on the latest musical instrument, the “Gaviolophone”, equivalent to a String Band of 60 performers, playing Opera, Classical and Popular Music.”

Incidentally, here’s Long Row to the north of the Old Market Square. The western end:

The central area:

And finally, the eastern end, with the incomparable Black Boy Hotel, which, during the Second World War, supplied all of the beds required for the sexual adventures of every single member of Bomber Command in all the RAF bases for fifty miles around:

There may well have been “Wadbrook’s Ghost Exhibition” with “Pepper’s Illusion”. There may well have been roundabouts such as the “Mountain Ponies”, the “Venetian Gala Gondolas” and the “Pneumatic Steam Bicycles”. Despite all of them, though, despite even the “Gaviolophone”, many people, and all the children, still liked to see a few exotic animals, no matter how moth eaten they might have appeared.

By 1898, Day’s “No 1 Royal Menagerie” had returned to the Market Square after a short absence. Day’s was “a Special Engagement of the Greatest Lion Tamers on Earth” with “Captain Laurance & Delvonico, The Lion Kings” (96 years before Disney!). There were “20 noble lions of all ages and sizes” who provided the members of “Delvonico’s Wrestling Lions”, “Delvonico’s Boxing Lions”, “The Clown Lions” and “A Lion in a Trance”. All of them were acts which had been “The Rage and Talk of Europe”, as was “The Daring Performance of Captain Laurance” along with “the only Real Original and Absolutely Untameable Lion Wallace”. Wallace had also appeared in 1896 and 1897. He doesn’t look very fierce in this photograph, though:

Among the animals were “Many Specimens of Birds, Beasts and Reptiles” some of which must have been stuffed, as there was actually a humming bird mentioned, a species which, even nowadays, cannot easily be kept in captivity. At the same time though, there was an elephant called “Elephant Jumbo” who was surely a live animal, as an elephant would be a bit of a nightmare for the taxidermist.

Overall, the proprietors of Day’s “No 1 Royal Menagerie” were happy to call themselves, “The People’s Show at the People’s Price”.

Slightly less exotic as animals were Mr Pat Collins’ “Giant Nottingham Geese, All Alive and Kicking”:

“For rollicking fun, there’s nothing to beat them

If you are “out for the night” don’t miss them;

And while you are there, try the razzle-dazzle cars

Drawn by ostriches, and spinning round at lightning speed.”

And the judges’ verdicts……….. “No rhyme and very little reason.”

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Goose Fair (1)

Every year, a huge fair is held in Nottingham. It lasts from the first Wednesday in October to the following Saturday. It dates back to a royal charter in 1284 although it is known that the Saxons had held “St. Matthew’s Fair” long before that. Modern belief is that the Saxon fair was based on a fair held by the fun-loving Vikings. A Viking army had captured Nottingham from the Saxons in 868 AD. Its leaders had two of the coolest names ever.

“Ivar the Boneless”

“Halfdan Ragnarsson”

Presumably his Dad was “Wholedan”, or even “Fulldan”.

This combination of Saxons and Vikings would make the Goose Fair well over a thousand years old. Here are some Vikings:

And here are some Saxons:

The name “Goose Fair” comes from the thousands of geese that were driven to Nottingham on foot from Lincolnshire, Cambridgeshire and East Anglia. Their feet coated with tar and sand to protect them on the long journey of a hundred miles or more, the geese would provide the traditional Michaelmas dish of roast goose on September 29th. Goose Fair was traditionally held in the Old Market Square in the city centre, although it was moved to the Forest Recreation Ground in 1928. The fair has only been cancelled on very few occasions. In 1646 because of bubonic plague, during both World Wars, and finally in 2020 and 2021.

The Old Market Square was a very different place before 1928.

In the 1700s, the fair was no longer about geese, but was more to promote the sale of Red Nottingham, the local cheese which was traditionally made in the shape of a large wheel. The whole thing became a little too Red Nottingham in 1766, when the natives of the town got a little over exuberant and started “The Great Cheese Riot”.  I shall be doing a blogpost about that glorious day when I have spoken to the Archivist of the Museum of the Fifteenth Dragoons to see if the names of the Nottingham peasants they slaughtered have been recorded anywhere.

By 1900, the fair was all about entertainment of every kind, with Aunt Sally’s (sic), shooting galleries, swing boats, roundabouts and merry-go-rounds (is there a difference?). There were theatres showing short films called “animated photographs”. These included boxing matches from the USA, bullfighting from Boulogne in northern France and the famous “Dreyfuss Affair” which was probably the series of eleven short silent films made by the famous French director, Georges Méliès. The very biggest attraction, though, and the most exciting thing on offer, was the increasingly large number of huge spectacular machines powered by electricity. As Pat Collins, the owner of many of the attractions, said:

“the build-up of the mechanical side was very rapid as the manufacturers turned out better machines in each succeeding year”.

One perennial attraction was the Children’s Corner which was situated away from the main fair, at the junction of King Street and Queen Street:

The enntire Market Square was lined with stalls, which also continued up Market Street. These stalls sold “gingerbread, without which Goose Fair would hardly be Goose Fair”, “coconuts, almost equally indispensable” and a profusion of “comestibles and indigestibles”, the latter including mainly children’s toys, books and fruit. On Market Street, the stalls sold a profusion of wash leathers and sponges, and, for the children, there were “penny prize packets” which contained a mixture of tiny sweets and chocolates. There was also a Cheese Fair and a Poultry Fair, and out at Eastcroft, a large cattle market was held. Punch and Judy shows were very popular and they frequently graced St Peter’s Square, or the area in front of the Talbot public house, a little further on than the junction with Market Street.

Next time, the “Nymphs of fashion”, an ironic title, perhaps, given how willing they were to divest themselves of their clothing.

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