Tag Archives: Fred

My Dad, Fred, and his favourite poetry (5)

When I was a little boy, my Dad, Fred, used to be a teacher at Hastings Road School in Gresley. Unfortunately excessive mining operations underneath the school led to its premature collapse.  My Dad is at the right hand end of the back row:

My Dad had to move to the Woodville Church of England Junior School, the school I attended, where, after a number of years, I finished up in his class, which was possibly Class 4. This is the school now.

One afternoon,  I can recall being one of the many children who were all so very frightened when my Dad read out to the fifty of us the narrative poem, “Flannan Isle”, by Wilfrid Wilson Gibson, written in 1912. Here’s the author:

The Flannan Isles incidentally are pretty much as remote as you can get in Britain. The orange arrow is 553 miles from London, in a straight line, slightly less than London-Berlin:

On an unknown date in December 1900, the lighthouse on Flannan Isle suddenly failed to shine. A few days later, when a group of lighthouse men came to investigate, they found that the whole island was completely deserted. The three lighthouse keepers had completely disappeared.

Fred used to recite this poem regularly to his classes, and I can still recall how intriguing many of us found this true story, and how animatedly and at what great length we discussed all the possible reasons for the disappearance of those three unfortunate lighthouse keepers only sixty years previously. We were all convinced that the men had been magically transformed into seabirds,  an absolutely horrific idea for nine year olds in that more innocent age of the early 1960s. Anyway, here’s the first section:

“THOUGH three men dwell on Flannan Isle
To keep the lamp alight,
As we steered under the lee, we caught
No glimmer through the night.” A passing ship at dawn had brought
The news; and quickly we set sail,
To find out what strange thing might ail
The keepers of the deep-sea light.
The Winter day broke blue and bright,
With glancing sun and glancing spray,
As o’er the swell our boat made way,
As gallant as a gull in flight. But, as we neared the lonely Isle;
And looked up at the naked height;
And saw the lighthouse towering white,
With blinded lantern, that all night
Had never shot a spark
Of comfort through the dark,
So ghostly in the cold sunlight
It seemed, that we were struck the while
With wonder all too dread for words.
That sets the scene, although, initially, when I came back to this poem after 60 odd years, I was a little disappointed with the quality of the poetry. Gibson seems so often to add an extra phrase or an extra couple of words, when the poem would actually read better without them.
Anyway, a possible solution is hinted at by the description below of the three strange seabirds:
And, as into the tiny creek
We stole beneath the hanging crag,
We saw three queer, black, ugly birds—
Too big, by far, in my belief,
For guillemot or shag—
Like seamen sitting bolt-upright
Upon a half-tide reef:
But, as we neared, they plunged from sight,
Without a sound, or spurt of white.

Those three birds, guillemots or shags, were the very things that would go on to terrify a bunch of 9-year olds.

And still to ‘mazed to speak,
We landed; and made fast the boat;
And climbed the track in single file,
Each wishing he was safe afloat,
On any sea, however far,
So it be far from Flannan Isle:
And still we seemed to climb, and climb,
As though we’d lost all count of time,
And so must climb for evermore.
Yet, all too soon, we reached the door—
The black, sun-blistered lighthouse-door,
That gaped for us ajar.

 

As, on the threshold, for a spell,
We paused, we seemed to breathe the smell
Of limewash and of tar,
Familiar as our daily breath,
As though ‘t were some strange scent of death:
And so, yet wondering, side by side,
We stood a moment, still tongue-tied:
And each with black foreboding eyed
The door, ere we should fling it wide,
To leave the sunlight for the gloom:
Till, plucking courage up, at last,
Hard on each other’s heels we passed,
Into the living-room.
Actually, at this point, I might well retract what I said before. The further I went into the poem, the more I realised, that it is clearly meant to be slowly and deliberately declaimed out loud. Have a go. You’ll see what I mean. And sincere apologies, Wilf !
Yet, as we crowded through the door,
We only saw a table, spread
For dinner, meat and cheese and bread;
But, all untouched; and no one there:
As though, when they sat down to eat,
Ere they could even taste,
Alarm had come; and they in haste
Had risen and left the bread and meat:
For at the table-head a chair
Lay tumbled on the floor. We listened; but we only heard
The feeble cheeping of a bird
That starved upon its perch:
And, listening still, without a word,
We set about our hopeless search.
We hunted high, we hunted low;
And soon ransacked the empty house;
Then o’er the Island, to and fro,
We ranged, to listen and to look
In every cranny, cleft or nook
That might have hid a bird or mouse:
But, though we searched from shore to shore,
We found no sign in any place:
And soon again stood face to face
Before the gaping door:
And stole into the room once more
As frightened children steal.
Aye: though we hunted high and low,
And hunted everywhere,
Of the three men’s fate we found no trace
Of any kind in any place,
But a door ajar, and an untouched meal,
And an overtoppled chair.
And, as we listened in the gloom
Of that forsaken living-room—
A chill clutch on our breath—
We thought how ill-chance came to all
Who kept the Flannan Light:
And how the rock had been the death
Of many a likely lad:
How six had come to a sudden end,
And three had gone stark mad:
And one whom we’d all known as friend
Had leapt from the lantern one still night,
And fallen dead by the lighthouse wall:
And long we thought
On the three we sought,
And of what might yet befall.
Like curs, a glance has brought to heel,
We listened, flinching there:
And looked, and looked, on the untouched meal,
And the overtoppled chair.
We seemed to stand for an endless while,
Though still no word was said,
Three men alive on Flannan Isle,
Who thought, on three men dead.
Hopefully, you made it this far. It is definitely a great poem to be declaimed out loud. But you’ve got to take it slowly and deliberately. If you stumble at the words, go back and give it another go.
And here’s the three birds that we children all thought the lighthouse keepers had been transformed into:

In the future, I hope to produce some blog posts looking at the possible reasons that the three men disappeared.

Portrait of Gibson borrowed from poeticous

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It’s the Witching Hour : Story Number Eleven

Number 11

“E pur si muove” : “And yet it moves” (Galileo Galilei)

When my father, Fred, died in hospital at the age of eighty, his wristwatch was found to have stopped at 11.04. I went round to his house a couple of days later to check everything was all right, and I found that the old brown wooden clock in the sitting room, which had been a wedding present some fifty or more years earlier, had also stopped at that very same time of 11.04. This is like his sitting room clock, but the time is wrong:

big clock

 

Towards the end of his life, Fred had been both blind and bed ridden and his house had become very neglected. During the period after Fred’s death, both my wife and I spent a lot of time cleaning and redecorating all the different rooms.

As we did this, day after day, on more than one occasion, we both smelt what we thought was my mother Jean’s perfume. It was as if she were watching over us in approval as we dusted and hoovered. I suppose that if that were the case, then it should not have been too surprising, given that Jean was a typical 1950s housewife, always cleaning and re-cleaning, and immensely house proud.

At this time, my brother, Ken, who had always been so firmly convinced that the house was haunted, refused to go into the empty property on his own. He had always had the idea that spirits, whether good or bad, are pushed into the background by human activity, but that when potentially haunted houses are empty, then the ghosts will begin to claim them back as their own. Ken certainly believed in the story of the little man who had lived there in the 1940s.

Similar feelings were expressed by my daughter Lauren. As I mentioned above, during that period immediately after Fred’s death, my wife and I were readying Fred’s house to be put on the market. We were spending all of our time cleaning, painting and decorating.  Meanwhile, Lauren sat upstairs in the smaller of the two bedrooms revising for her imminent GCSE examinations. She spent all of her time sitting with her back to the wall, scared stiff as she worked. She felt that there was somebody else in the room with her, but that they really did not like her being there. These disquieting feelings only came when she was on her own. As soon as anybody came into the room to see her, all her fears disappeared.

It is easy to dismiss ideas like these out of hand, but it is a little like the difference between walking through a graveyard at three o’clock on a sunlit afternoon:

sunny graveyard

as opposed to three o’clock in the cold, dark depths of a winter’s night:

graveyard_zps723fe69f

With this idea in mind, on the very last evening before the contracts were exchanged and Fred’s house passed out of my possession forever, I decided to do an all-night vigil in an effort to experience something ghostly.

To cut a potentially long story short, I saw or heard absolutely nothing. But, at the same time, though, I was, throughout the entire night, so scared that I never did manage to switch the lights out. I really was very frightened. And, just like Lauren, I too spent all my time sitting with my back to a wall.  Read into that what you will.

There were other strange happenings as well as the stopping of the wristwatch and the old wooden clock. We were experiencing them, I suspect, because we were clearing out Fred’s house after his death. It is very frequently said, for example, that building work, and many other types of physical change such as painting or wallpapering, are extremely good for provoking a strong reaction from any ghosts that may be present.

One day, I had been cleaning and painting the living room. This was the downstairs room where Fred had spent the last two, painful, years of his life, except for his stays in hospital. He had a bed, an armchair, a commode and a television, so he was self-contained in a sad, forlorn sort of way.

That particular day, we had reached lunchtime, and my wife and daughter were outside in Fred’s old summerhouse, finishing off their fish and chips from Renée’s Fish Bar. For some reason I now forget, I was alone. Suddenly, I had the strangest feeling that Fred was there in the room with me. I called out to him,

“Are you there, Dad? It’s me, your son, John. If you are there, give me a sign.”

Straightaway, the curtains in the window looking out towards the garage and the concrete drive where Fred had parked his cars for so many years, began to shake and move. Then they stopped. I waited a few seconds and then called out for a second time.

“Is that you, Dad? If you are there, then make the curtains move again.”

Without delay, the curtains again began to move. I went outside, and called in my daughter, Lauren. I told her to come into the living room and just to stand still and watch, and not to say a word. I called out to Fred for a third time,

“Are you there, Dad? This is your granddaughter, Lauren. If you are still there, give her a sign. Make the curtains move like you did for me.”

Immediately, again the curtains began to move, and then stopped. I turned to Lauren, and asked her if they had actually moved, and that it was not just a coincidence. She replied that she had seen the curtains, and that, yes, they had moved, and that apparently, it had been in response to my request.

So, for a fourth, and final time, I called out loudly,

“Are you still there, Dad? If you are, make the curtains move again.”

And sure enough, they did. I have no explanation for these events other than the supernatural.

There was no window open. No door was open. The central heating radiators underneath the window were switched on throughout the entire episode, but this would not explain the fact that the curtains actually came to a fairly abrupt stop on four separate occasions. Neither was it my imagination or wishful thinking. That was one of the reasons why I asked Lauren to come in and be a witness to events. And to this day, she maintains, Galileo-like, that, yes, the curtains did move.

.
Not surprisingly, perhaps, for quite a while afterwards, Fred was to appear in my dreams. There was one that stood out among the rest.

This dream took place on a huge luxurious ocean liner, standing around a grand piano which stood at the meeting point of several long and wide corridors:

fingersccccccccccccccccccc

Fred was standing there, listening to the pianist who was tinkling away at the ivories in rather desultory fashion. I was talking to Fred, and was trying to trap him into giving me details about the afterlife.

“Where do you live now then, Dad?”, I asked.

“You know that already.”, he said with a slight smile.

“And where you will you go tonight ?”, I asked. “Where will you sleep after we’ve left ?

He did not offer any reply.

“Well, Dad, will I be able to come and see you sometime?”

“Of course you will come and see me…..one day,” he replied, with a strange, wry look, and then walked off for ever down one of the corridors.

I have had no real contact with Fred since, but deep down, I am sure that this will not be the end of the story.

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