Tag Archives: corncrake

The Corncrake: the sound of Victorian England

Nowadays the Corncrake is limited to the Outer Hebrides in Scotland although there is also what seems to be a highly successful  reintroduction scheme being carried out in the RSPB Nene Washes Reserve in Cambridgeshire, England:

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In the first half of the nineteenth century, Corncrakes were present throughout the length and breadth of England and their distinctive call was heard in every sunlit field. Even their Latin name, crex crex, is onomatopoeic. The birds were described as producing the most distinctive summer sound to be heard on a country walk anywhere in England. This is the song of the corncrake, beautifully recorded by “therhys927”

Corncrakes will often sing all through the night, and they can in fact be pretty aggravating little so-and-so’s once the initial novelty has worn off:

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John Clare, England’s greatest poet, wrote a poem about the bird which he knew as the “Landrail”:

“How sweet and pleasant grows the way
Through summer time again
While Landrails call from day to day
Amid the grass and grain

We hear it in the weeding time
When knee deep waves the corn
We hear it in the summers prime
Through meadows night and morn

And now I hear it in the grass
That grows as sweet again
And let a minutes notice pass
And now tis in the grain”

Nowadays, the Corncrakes are all gone, gradually killed off by decade after decade of desire for profit, intensive farming practices and in particular the mechanised mowing techniques used by the nation’s farmers in place of the trusty scythe.  This sad decline is chronicled in Nottinghamshire by the county’s Victorian birdwatchers:

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In 1866, in his “Ornithology of Nottinghamshire”,  William Felkin wrote that “the corncrake is very common”. Three years later, in 1869, William Sterland provided a charming account of this delightful bird in “The Birds of Sherwood Forest”:

“That bird of singular habits and note, the corncrake, visits us in abundance every year, sometimes arriving as early as the first of May, while in 1853 I did not hear its note until the 18th. This was unusually late; the season being a remarkably cold and backward one, a fact of which our other migratory birds also seemed, in some mysterious way, to be fully cognisant. Nothing, indeed, relating to the feathered tribes is more wonderful or more deserving of our admiration than that knowledge, call it instinct or what you will, which, implanted in them by their Creator, enables them to hasten or delay their departure for their distant but temporary places of abode, according as the seasons there are suitable to their necessities or otherwise. How strikingly is this wisdom brought forward in Holy Scripture: “Yes, the Stork in the heaven knoweth her appointed time and the turtle, and the crane, and the swallow observe the time of their coming.”

William Sterland seems well aware of the piece of Corncrake behaviour which was to prove its downfall, as the mechanized mower made its inexorable way forward:

“I have never succeeded in causing the Corncrake to take wing except with a dog, and even then its flight is always brief, as it takes an early opportunity of dropping to the ground and regaining its cover. It flies rather slowly with its legs hanging down, and there is such an air of effort about his movements on the wing, that I have often wondered how its migrations are performed.
Its ventriloquial powers are well known to every observer. Now it’s harsh “Crake, crake” seems within a few yards, and the next moment it sounds as if it were halfway across the field, and this apparent variation in distance is so well simulated that in a consecutive repetition of its call for ten or twelve times, a few notes will sound as if uttered almost at your feet, and the next two or three from afar, and yet the bird is standing motionless all the time, as I have several times tested. Its singular call I have often imitated by drawing my nail across the teeth of a pocket comb, and thus inducing its near approach.”

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Again Sterland reveals how fully conscious he is of the problems the Corncrake will face throughout the rest of the nineteenth century:

“The female sits very closely on eggs, so closely indeed, as not infrequently to lose her life by the mower’s scythe. I have known two instances of this, in one of which the poor bird was almost cut in two.”

Ten years later, in 1879, William Sterland provided additional details about the Corncrake:

“An abundant summer visitor. It is also been found in winter, and on this account has been thought by some to hibernate; but apart from the fact that no bird is known to hibernate, why should a corncrake which remains during the winter not be able to fare as well as a water rail or a common snipe. Cold does not affect them.”

In his “Scribblings of a Hedgerow Naturalist”(1904), Joseph Whitaker wrote:

“The other evening when talking to Rose the Nottingham taxidermist (who has set up a great many specimens in this collection) I remarked how very few Corncrake there were about, he said he well remembered about 35 years ago, a man bringing a large basket to his father, of these birds, which he had shot in two days, and they numbered over fifty; at that time he said the meadows round Nottingham were full of them, and their call could be heard on all sides. This year I have heard one, although I have been about a great deal.”

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No Corncrakes in 1904, no meadows in 2014! Elsewhere Joseph Whitaker wrote about his country house at Rainworth, between Nottingham, and Mansfield:

“I am sorry to say the Corn Crake is getting scarcer. I have not heard one near the house was several years, although twenty years ago they were in every mowing field. No doubt the result of mowing machines which cuts the young up often I fear.”

Three years later in 1907, Joseph Whitaker provided in “The Birds of Nottinghamshire”  the following information :

“I sorrow to say that this interesting bird is a rapidly vanishing species, not only as far as Notts is concerned, but in many other counties. Twenty years back it was the exception in the spring not to hear a corncrake in nearly every mowing field in the Trent Valley, and almost every seed and grass field left for hay in other parts. In this very high and dry parish of Blidworth, we had between ten and fifteen pairs, now for the last three years not a bird has been heard.”

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Like his fellow nature writers, Joseph Whitaker chronicles the decline:

“At Southwell, on a June night, their curious call resounded on all sides; now this year there may be two pairs. Mr Henry Smith Junior of Cropwell Butler informs me that this scarcity is very noticeable in that part, and in fact all over the south of the county.”

Alas, Whitaker was to be proved wrong when he wrote:

“Let us hope that it will be many years before they are quite a bird of the past, but if they decrease during the next twenty years as fast as their decrease during the last two decades, it pains me to think that it may be so.
I once heard a corncrake calling inside the kitchen garden at Welbeck Abbey.”

And finally, in “Jottings of a Naturalist” in 1912, Whitaker wrote:

“Twenty years ago there were Corncrakes all over the parish, in fact it was the exception not to hear them in every mowing field, but I know that there is been none for the last ten years, not a single bird heard, and the parish is six thousand acres; and it is not only so in these parts, it is the same everywhere.”

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And really, that was that. The end of the Corncrake.

As the Great War loomed, the Victorian age drew to a close. No more mowing fields, no more meadows full of flowers, no more clouds of brightly coloured butterflies. And no more Corncrakes. Just mud, blood, war and death.

To film a Corncrake nowadays, you are more or less wasting your time in England. This beautiful, atmospheric video comes from “mikhailrodionov” in faraway Russia:

 

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Filed under History, Nottingham, Science, Twitching, Wildlife and Nature

Last day on the Scillies

Saturday, October 29, 1988

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(An extract from my old birdwatching diary “Crippling Views”)

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My last day on the Scillies. Time off for good behaviour. I’m not really sorry to be going home. I had four lifers. I don’t feel I’ve missed out on anything that was there and was viewable, except perhaps the Short toed Lark, about which I have exactly the same dilemma today as I had yesterday. Do I go to St Agnes or not? I chicken out, I am ashamed to say. I’m too scared of missing the last ferry back to Penzance Harbour to risk missing an inter-island boat through a twisted ankle, or a fat man’s heart attack. This will be the last Scillonian ferry back to the mainland before the end of the year, and the helicopters are all booked up until next Wednesday so I just cannot risk anything going wrong. I simply do not have enough money:

Scillonian_III-01 xxxxxx

I go back to my old friend at Telegraph, the Rose-coloured Starling, who I see very briefly, flying around with his common friends. He’s a very pale, buffy coloured individual, which I am sure is the bird in question, a fact made all the more certain by a group of birdwatchers coming from the area where the flock appeared to land and who say that they have just seen the little chap:

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I can’t relocate the bird, but I meet someone who says he’s just seen a Wryneck feeding alongside the road. It was actually on the grassy tops of the great wide dry stone walls, although it has disappeared by the time I arrive:

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I look for about fifteen minutes, but I can’t find it, and I am just about to pack it in as a bad job, when another young chap comes over and says he’s found the bird about seventy yards away in another lane. When I get there, I find that it’s a lot more active than the previous birds that I’ve seen in Norfolk, as it moves along the base of the hedge, feeding energetically. I am always impressed by Wrynecks, which never seem reptilian to me or particularly primitive as they are supposed to, but rather I wonder at the subtlety of their camouflage, and the way they seem able to disappear into their background at the drop of a dead leaf. It’s a good padder of a bird and I’m really pleased to have seen it. Not that I’m surprised, because it’s my friend Paul’s bogey bird and I told him before I left for the Scillies that I would see one for him:

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I take a leisurely stroll back to town, walking along the seashore where I am amazed to see a kingfisher flying out over the breaking waves, seemingly completely at home among the rocky coves and the surf,  before it finally disappears into a line of pine trees at the top of the scrub covered cliff:

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I pass a field full of absolutely thousands of finches, including at least one superb full adult summer plumage Brambling, which is so bright that I think it is some weird American bird when I first see it. There’s really no need for it to be a transatlantic vagrant, since the bird is such a beautiful sight in its own right, without needing to be particularly rare:

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A hundred yards further on, I surprise a Pipit in another field at the side of the road. I try hard to imagine that it is some unprecedented rarity, but I’m finally forced to concede that it is merely a Tree Pipit.
Finally, I reach the Porthcressa Restaurant, where the magic noticeboard announces the presence of a Scarlet Rosefinch, another possible lifer, which has turned up near the airport. This is going to be a close run thing for a fat man. The boat leaves this afternoon and I need to be on the quay by half past three. It’s half past one now, so I start off at a reasonable pace, taking care to time myself for the walk, so that I can set off back to the harbour in good time. It only takes me thirty minutes, so I am left with about an hour to find the bird:

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It’s apparently been showing well in a little field full of cabbages, but has unfortunately moved on by the time I arrive. I go and search the neighbouring fields where there are huge flocks of finches and lots of good big hedges for them to perch in. It is at this point that I get the closest that I’ve ever been to a rare bird without actually seeing it. Two young men poke their heads round the hedge and tell me that the Rosefinch is there. They are actually looking at it right now:

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In the very short time that it takes me to walk the ten yards or so, the bird flies away, never to be seen again, at least not by me. I give it a few more minutes, but time, as always, ticks inexorably away.  There is one final bit of excitement when a message comes on the CB that a Pechora Pipit has been spotted on the far side of the airport near Salakee Farm:

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The fittest ferry passengers, and the more leisurely helicopter users, all set off, but without me, I’m afraid. I’m far too unfit to rush all the way to Salakee, find a pipit famous for its ability to skulk and hide in the undergrowth, and then get back down to the Scillonian by 3.30. At least, not without a major heart attack. I do have the pleasure though, of a nice stroll back through the town, along the main street down to the ferry:

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The scene that greets me is straight out of a 1930s black-and-white documentary film about the evacuation of St.Kilda. The ferry seems to know that it is the last boat of the year and mournfully blasts its foghorn as a farewell to the tiny town.

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The street, with its grey stone buildings, is full of hurrying figures, all burdened with bags and suitcases, tripods and scopes, all plodding in the same direction to get down to the quay. When I reach the ferry, I have twenty minutes to drink in the scene, so I stand and lean over the side of the boat. It’s beautiful, the still, calm sea, the line of old buildings along the curve of the bay and the continuing mournful bellowing of the ship’s foghorn. Even better though, is a stream of birdwatchers, all returning at breakneck speed from not seeing the Pechora Pipit, tripods and spare wellies flying around their necks. They all seem to make it, except, presumably, the ones that don’t.
We set off across the surface of a glassy sea, as the people on the land wave their last farewells to the ship:

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It will be a long time before the Scillonian returns to the island, as the next arrival is scheduled for April. The crossing is bird free, mainly because the weather becomes so foul. In actual fact, the crossing isn’t particularly rough by Scilly standards. All I can say, though, is that, if this isn’t rough, then very rough most be unbelievable. I stay on deck, of course, in my capacity as the toughest man on the boat, and when I finally go downstairs, the bar is full of people with green faces. It reminds me very strongly of a pub in Nottingham that sells Shipstone’s beer.
One young lad that I speak to is really delighted to have been on the Scillies. He is about fifteen and he has had a lot of lifers and he is as pleased as Punch. Birdwatching here certainly does make it a lot easier to see some of the birds that on the mainland can take a lot of effort, above all if you live in the south. Dotterel, Corncrake, Red Kite, or especially, Lapland Bunting:

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He’s had them all in the past two weeks here. I’m still riddled with jealousy, all bitter and twisted at those people who can spend two or three weeks here at the best time of the birdwatching year, namely early October, when I have to be at work. It must have added a good thirty or forty species at the very least to their life lists, with no real difficulty and very little real effort. Perhaps an inflation rate of up to 25% or 30% of your life total. All there for you to tick off, knowing that they are birds unlikely to occur anywhere else in Britain.
I have not seen too many good birds on the Scillies, but I have met a good number of what you might call “characters”. It is, after all, “Teachers’ Week”, although I do find one teacher who has clocked up an exceptionally impressive 420 species without ever using the rather artificial aid of coming to these islands in the first two or three weeks of October. At the same time he has not lost his ability to be excited by a Red Kite or a Red-necked Grebe:

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There are some quite desperate twitchers who just hear the words “Paddyfield Warbler” and will then slit Granny’s throat for the bus fare. Some of them are very rude, unpleasant and downright boorish, including one young oaf who insists on shouting his requests for directions at you at the top of his fifteen year old voice, irrespective of how far away he is. His only interest is the extraction of any information you might have about the bird he is trying to see. I meet him once and say “Good Morning” and he says loudly, “Where? Is it showing well?”

One unemployed birdwatcher has worked out his cash supply down to literally the last fifty pence. For the last two days of his holiday (a holiday from being unemployed?),  he cannot afford accommodation, but has to walk around looking for nice warm bus shelters. The most notable of the whole lot, though, is an old gentleman who has bird watched all his life and who has seen some splendid ornithological sights in his time, particularly when birds of prey were more numerous than they are today. Honey Buzzards thronged his skies:

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From his house on the north west coast of Wales, he would see a dozen migrating Merlin in a day. Now it is just one a month:

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He has little or no interest in twitching rare birds, many of which he has never heard of anyway. He has an outlook based solely on what he can find for himself. Not for him the new fangled Gore-Tex or plastic cagoules, but a pair of battered old boots, some comfortable corduroy trousers and a sports coat with leather elbow patches. His bird watching techniques are different to those of the present day as well. Not for him the patient wait for the bird to appear. He is deep in the bushes, energetically bashing around with his walking stick, determined to find everything that is in there, vainly trying to hide.
The real stars of the show though, are the people of the Isles of Scilly themselves. They are genuinely calm, kind and wonderful people and remind me a lot of the inhabitants of the Highlands of Scotland. They will not be hurried and their entire lives are very different indeed to those of us city folk.

Certainly this week though, the birds are disappointing. I wish I’d stayed on the mainland and gone for whatever presented itself. There was every chance that I’d have seen the Indigo Bunting at Wells and a Lesser Yellowlegs at the Ouse Washes.

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On the other hand, I wouldn’t have had the total experience that I have had.

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England’s Greatest Poet

To my shame, I did not appreciate that July 13th, the 121st anniversary of his birth, was “John Clare Day”.  I found this out by googling retrospectively “John Clare”, and coming across an absolutely superb article by George Monbiot in the Guardian.
Furthermore, I must confess that I actually knew very little about John Clare other than the fact that he was a poet and that, unlike the vast majority of poets, he was of working class origin. His biographer Jonathan Bate described him as “the greatest labouring-class poet that England has ever produced. No one has ever written more powerfully of nature, of a rural childhood, and of the alienated and unstable self”.
The first port of call, therefore was Wikipedia.

The bare bones of Clare’s life were that he was born into desperate agricultural poverty in the tiny village of Helpston, just to the north of Peterborough in Northamptonshire.

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The area was amazingly rich in wildlife.

He would have seen and heard corncrakes everywhere.

Nightjars too, were as common in England then as they now are in this excellent film from Denmark…

There were ravens in the old, giant oak trees, wrynecks, which still bred in old woodpeckers’ holes, and the last few wildcats…

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And glowworms…

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“Tasteful illumination of the night,
Bright scattered, twinkling star of spangled earth.”

Clare’s cottage, where he spent his childhood, still remains…

John Clare Cottage
Like all his fellows, Clare became an agricultural labourer while still a child, but he attended the school in Glinton church until he was twelve. He also began to write poetry, something which was to cause him great problems throughout the rest of his life among simple farm workers.

He wrote…

“I live here among the ignorant like a lost man in fact like one whom the rest seemes careless of having anything to do with—they hardly dare talk in my company for fear I should mention them in my writings and I find more pleasure in wandering the fields than in musing among my silent neighbours who are insensible to everything but toiling and talking of it and that to no purpose.”

Clare’s first love was Mary Joyce, but alas, she was to die, by our standards at least, a premature death.

MaryJoyceGrave

Clare was to marry Martha Turner in 1820. Her nickname was “Patty”.

“Courtship
Where are you going lovely maid
The morning fine & early
“I’m going to Walkerd”, Sir she said
&made across the barley

I asked her name she blushed away
The question seemed to burn her
A neighbour came & passed the day
&called her Patty Turner

I wrote my better poems there
To beautys praise I owe it
The muses they get all the praise
But woman makes the poet

A womans is the dearest love
Theres nought on earth sincerer
The leisure upon beautys breast
Can any thing be dearer

I saw her love in beauty’s face
I saw her in the rose
I saw her in the fairest flowers
In every weed that grows”

Clare, though, was to have  many bouts of severe depression, which worsened as his family increased in size and his poetry sold less well.
Gradually over the years, his behaviour became progressively more and more erratic. In July 1837, he went of his own accord to Doctor Matthew Allen’s private asylum. In 1841, though, Clare absconded and walked all the way back home from Essex. He thought, in his madness, that he would be able to refind his first true love, Mary Joyce.  He believed firmly that he was married not just to her, but to Martha as well, and had children by both women. He refused to believe Mary’s family that she had died accidentally three years previously in a house fire. He stayed a free man at home for a little while, but was back in the asylum by mid-1841, his wife having called for help from them between Christmas and the New Year of 1841.
Clare was sent to the Northampton General Lunatic Asylum, where he lived out the rest of his life. He was helped enormously by the kindness and humanity of Dr Thomas Octavius Prichard, who encouraged and helped him to continue writing his poetry. It was at the Northamptonshire County General Lunatic Asylum  that Clare wrote possibly his most famous poem…..

“I am!
I AM! yet what I am none cares or knows,
My friends forsake me like a memory lost;
I am the self-consumer of my woes,
They rise and vanish, an oblivious host,
Like shades in love and death’s oblivion lost;
And yet I am! and live with shadows tost
Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life nor joys,
But the vast shipwreck of my life’s esteems;
And e’en the dearest–that I loved the best–
Are strange–nay, rather stranger than the rest.
I long for scenes where man has never trod;
A place where woman never smil’d or wept;
There to abide with my creator, God,
And sleep as I in childhood sweetly slept:
Untroubling and untroubled where I lie;
The grass below–above the vaulted sky. “

Clare’s problems with depression  had not been helped by having to watch his world disappear as, between 1809 and 1820, various  Acts of Enclosure allowed the greedy, idle, useless rich to increase their already great wealth by putting fences across the previously open fields, heathland and woodlands., and declaring that everything now belonged to them.

This, of course, was the early nineteenth century equivalent of “Trespassers will be Prosecuted”, and, as it was designed to do, prevented anybody poor from enjoying what abruptly became the rich man’s landscape.

In due course, the idle rich realised that they could make even more money by destroying the ancient countryside, and farming it in an exclusively profit orientated way.  There was no room for five hundred year old oak trees or sleepy marshes, no more meandering streams or cool copses to give shade on a hot summer’s day. Faced by the onslaught of Agribusiness, the wild animals, the birds, the insects and the butterflies all began to disappear.

In other words, it was pretty much the beginning of the country landscape we are asked to tolerate today.

This poem was finished by 1824, but was published only in 1935.

“The Mores

Far spread the moorey ground a level scene
Bespread with rush and one eternal green
That never felt the rage of blundering plough
Though centurys wreathed springs blossoms on its brow
Still meeting plains that stretched them far away
In uncheckt shadows of green brown and grey
Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only bondage was the circling sky
One mighty flat undwarfed by bush and tree
Spread its faint shadow of immensity
And lost itself which seemed to eke its bounds
In the blue mist the orisons edge surrounds
Now this sweet vision of my boyish hours
Free as spring clouds and wild as summer flowers
Is faded all–a hope that blossomed free
And hath been once no more shall ever be
Inclosure came and trampled on the grave
Of labours rights and left the poor a slave
And memorys pride ere want to wealth did bow
Is both the shadow and the substance now
The sheep and cows were free to range as then
Where change might prompt nor felt the bonds of men
Cows went and came with evening morn and night
To the wild pasture as their common right
And sheep unfolded with the rising sun
Heard the swains shout and felt their freedom won
Tracked the red fallow field and heath and plain
Then met the brook and drank and roamed again
The brook that dribbled on as clear as glass
Beneath the roots they hid among the grass
While the glad shepherd traced their tracks along
Free as the lark and happy as her song
But now alls fled and flats of many a dye
That seemed to lengthen with the following eye
Moors loosing from the sight far smooth and blea
Where swopt the plover in its pleasure free
Are vanished now with commons wild and gay”

For me, Clare’s best work is his nature poetry. Because he was a poor labourer, he saw far more details as he walked along than the rich poets who thundered past in their coaches. John Clare’s nightingale actually was a real nightingale, not another species misidentified.

George Monbiot in his wonderful article urges us to read the poem…

“…Everything he sees flares into life…his ability to pour his mingled thoughts and observations on to the page as they occur, allowing you, as perhaps no other poet has done, to watch the world from inside his head.”

“The Nightingale’s Nest”  is indeed a fabulous poem, and is just like going for a stroll into the woods with John Clare himself, to view a bird whose nest he has previously staked out at some point during his working day. The reader becomes a fellow birdwatcher, who can follow John Clare’s instructions about where to look…

Common-nightingale-feeding-chicks-at-nest

“The Nightingale’s Nest

Up this green woodland-ride let’s softly rove,
And list the nightingale – she dwells just here.
Hush ! let the wood-gate softly clap, for fear
The noise might drive her from her home of love ;
For here I’ve heard her many a merry year –
At morn, at eve, nay, all the live-long day,
As though she lived on song. This very spot,
Just where that old-man’s-beard all wildly trails
Rude arbours o’er the road, and stops the way –
And where that child its blue-bell flowers hath got,
Laughing and creeping through the mossy rails –
There have I hunted like a very boy,
Creeping on hands and knees through matted thorn
To find her nest, and see her feed her young.
And vainly did I many hours employ :
All seemed as hidden as a thought unborn.
And where those crimping fern-leaves ramp among
The hazel’s under boughs, I’ve nestled down,
And watched her while she sung ; and her renown
Hath made me marvel that so famed a bird
Should have no better dress than russet brown.
Her wings would tremble in her ecstasy,
And feathers stand on end, as ’twere with joy,
And mouth wide open to release her heart
Of its out-sobbing songs. The happiest part
Of summer’s fame she shared, for so to me
Did happy fancies shapen her employ ;
But if I touched a bush, or scarcely stirred,
All in a moment stopt. I watched in vain :
The timid bird had left the hazel bush,
And at a distance hid to sing again.
Lost in a wilderness of listening leaves,
Rich Ecstasy would pour its luscious strain,
Till envy spurred the emulating thrush
To start less wild and scarce inferior songs ;
For while of half the year Care him bereaves,
To damp the ardour of his speckled breast ;
The nightingale to summer’s life belongs,
And naked trees, and winter’s nipping wrongs,
Are strangers to her music and her rest.
Her joys are evergreen, her world is wide –
Hark! there she is as usual – let’s be hush –
For in this black-thorn clump, if rightly guest,
Her curious house is hidden. Part aside
These hazel branches in a gentle way,
And stoop right cautious ’neath the rustling boughs,
For we will have another search to day,
And hunt this fern-strewn thorn-clump round and round ;
And where this reeded wood-grass idly bows,
We’ll wade right through, it is a likely nook :
In such like spots, and often on the ground,
They’ll build, where rude boys never think to look –
Aye, as I live ! her secret nest is here,
Upon this white-thorn stump ! I’ve searched about
For hours in vain. There! put that bramble by –
Nay, trample on its branches and get near.
How subtle is the bird! she started out,
And raised a plaintive note of danger nigh,
Ere we were past the brambles ; and now, near
Her nest, she sudden stops – as choking fear,
That might betray her home. So even now
We’ll leave it as we found it: safety’s guard
Of pathless solitudes shall keep it still.
See there! she’s sitting on the old oak bough,
Mute in her fears ; our presence doth retard
Her joys, and doubt turns every rapture chill.”

I have not quoted some of Clare’s poems in full. They are extremely accessible on the Internet, and will fully repay your efforts.
The vast majority of his poetry can be found very easily.

Just find “Poets by Name” on the left of the screen, and click on “J” for “John Clare”.
The poet’s grave is at Helpston….
helpston grave
And, as one of England’s greatest poets, he has a memorial…

220px-John_Clare_Memorial,_Helpston,_Peterborough

And what looks like a rather modern statue…

statue

Youtube, of course, has many readings of John Clare’s works.

There are some quite long anthologies…

Some are good,

And there are others

I am a sentimental old fool, so I liked…

 

 

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